supported by 15 fans who also own “The Gods of Bal-Sagoth (pt i-ii-iii)”
They say you shouldn't judge a book by its cover, but thankfully, this isn't a book, so I can safely state that this washy photo of a meticulously crafted pencil-drawing is in fact a perfect representation of the music here: this album is just as ambitious and earnest as it is rough around the edges. Every synth sound is perfect. Gleanie
supported by 14 fans who also own “The Gods of Bal-Sagoth (pt i-ii-iii)”
Took a chance and listened to "Into a Grim Forest Battle" blind, knowing nothing of the project previously, and went on to purchase the ENTIRE discography immediately. It is THAT good.
Top notch fantasy laden epic Dungeon Synth with something for every atmosphere and mood. Vilkas Kiskis Redivivus
supported by 14 fans who also own “The Gods of Bal-Sagoth (pt i-ii-iii)”
Yog-Sothoth. The thought of something lurking beyond time and space, seeing and knowing everything and all in existence at any given time, is deeply unsettling and yet fascinating. This outermost, outerworldly feeling is being transported in a good way. Part 1 is good, but Part 2 indeed sounds like I would imagine The Lurker at the Threshold to feel, if he felt anything. An outerworldly, cosmic and desolate piece of dark ambient. David Fischer